Matt patterson biography

Matt Patterson. About the author Matt Patterson is a keynote speaker speaker, an advocate, as well as an award-winning and two-time Amazon 1 international best-selling author. Read full bio. Most popular. I feel it's crucial not just to document these marvelous species I paint; it's even more important to me to have a hand in saving them from extinction.

Among reptiles alone, species are presently critically endangered. That's why I'm a signature member of Artists for Conservation. That's why I often create artwork specifically to donate proceeds from its sale for conservation--as I recently did for the radiated tortoises I met in Madagascar. I'm grateful to use my talent to not only raise awareness about these gorgeous animals, but help keep them alive on the planet we human newcomers are lucky to share with them.

Skip to main content. Matt Patterson. Wildlife Art - Reptiles and Amphibians. Website www. Matt Patterson A native of Baltimore, Maryland, Matt Patterson is a best-selling and award-winning author, inspirational speaker and communications professional. Matt has taken a parent's greatest tragedy - the loss of a child - and has not only turned it into a best seller, but he has turned it into a mission of hope and inspiration.

His first book - My Emily - shares the life and legacy of his first daughter, Emily. I didn't really like children when I was a child. So at every turn, there were animals helping me and guiding me. I also did have some great human teachers. One in particular, Mr. Clarkson, who was my journalism teacher at my second high school. He was fantastic, and he ended up moving to New Hampshire and I got to see him later in life.

I've had a mixed species family and my teachers have had claws and scales and fur and tails. My husband is a writer as well, a better one than me, and we have wonderful children in our lives, but they're ones that we chose, not ones that just got randomly assigned to us genetically. Now and in the future, young people are important, and I would want them to know you're not separate from the natural world or the planet.

You're part of it, and you don't have to go far places to see amazing things. You can live in a city, and you can see ants crawling on the roof or pigeons or squirrels. There's stuff to see everywhere. I would like them to know young people. You are not the leaders of tomorrow. You are the leaders of today. Children have more power than they realize.

Even though you may not be able to vote, you have enormous influence in your family, and you can have enormous influence in your community. So no matter what your talent, no matter what your interest, no matt patterson biography what your age, you can make a difference in this world, and make a difference for animals, for plants, and for people.

The Creative Process exhibition is traveling to universities and museums. Artist and interviewer: Mia Funk. The position of the United States in the world, economically and politically, is the weakest it has been in my matt patterson biography. I was born in the middle of the 20th century, so I have watched the rise of the American empire and the success of American capitalism in the second half of the 20th century.

However, over the last 20 years, I have watched that turn into its opposite—a decline. The decline is visible everywhere. Unless you live in the United States and consume mainstream media, there is a level of denial that will be recorded historically as one of the great examples, not just of a declining empire, which typically has people who cannot face it and who refuse to see it.

You can go to Great Britain today and find quite a few people who think we still have the British Empire, even though everyone who isn't crazy knows that is silly. But we are earlier in the decline phase than the British are; they have had to endure it for a century while we have just had to do it for a couple of decades. It is fresh. My mandate focuses on the protection of those trying to protect the planet.

Protection of defenders is my main matt patterson biography. When I'm speaking to states or companies, it's always related to cases of defenders facing threats, attacks, or penalization by companies or governments, like the recent case of Paul Watson founder of Sea Shepherd in Denmark… When I travel to places like Peru, Colombia, or Honduras and meet Indigenous people, I realize they have a relationship with nature that we don't have anymore.

They express that the food they eat, the water they drink, and the air they breathe goes beyond just air and food; it represents what they call Pachamama or Mother Earth. This is a cosmovision shared across various communities, not only in Latin America but globally. Climate change is here. It's already causing devastation to the most vulnerable populations.

We are living with an extractive mindset, where we are extracting one way out of the life system of the Earth. We need to change from that extractive mindset to a regenerative mindset. And we need to change from the North Star of economic growth to a vision of eco civilizations. Those are the two main principles that I want to propose and that the Club of Rome suggests that we try to transform our current organization towards regenerative living and eco civilization.

This book has a lot of the wisdom of things that feminists and queers have learned in the community about sexuality, but the book is really for anybody who is political, even those just starting out and beginning to realize that there is something wrong with the systems they live under. I want to be in movements. Our movements are made of relationships.

So, if you're just getting into our movements, or if you've been here for years and have been watching the ways we hurt each other and fall apart relationally, this book is about identifying these common patterns. I think the show conveys to the women watching that their lives matter. They don't have to be some gorgeous aspirational person, although Sloane absolutely fits that mold.

But for others living in the Midwest, struggling and feeling unseen, hopefully, the mirrors of Lina and Maggie will help them not feel so alone and remind them that their stories are important and matter. You're not telling a single story; you're telling a world. You're inviting people into a world and asking them to live there with you and these characters for a period of time.

The best I can do is build a world where people grapple with these important questions and try their best. All I can expect from people and from myself is that we're trying to do something larger than ourselves. I think a lot of joy comes from helping others. How can you help other people feel the same and have a happier life? I think whatever that takes.

So if that's charity, if that's photography, if that's documentary, if that's music, and I can do it, then I'm going to do it. It all starts at home. As a university professor, I have observed the process of transformation of different generations. We need to find a sense of life. We need to find a sense of belonging to our humanity, but to have this sense of life, we need to find a sense in our local communities.

I'm trying to get people to care about a crisis in ways that may bring solutions to it. And that's also how I deal with the terror and the fear to find a sense of purpose in what I do. It's incredibly heartbreaking to see some of the things and hear some of the stories, but at the end of the day, it feels like—inconsistently here and there—you can shine a light on problems, and by shining that light, you actually make a difference.

The development goals were adopted in by all UN member states, marking the first time in human history that we have a common goal for the entire world. Out of all the targets that we track, only 16 percent are estimated to be on track. Currently, none of the SDGs are on track to be achieved at the global level. Those of us with mental health issues are often branded as being in our own world.

But paradoxically, being in our own world can actually be a result of being more connected to the outside world rather than less. And in the context of climate change, it may be fairer to describe people who fail to develop psychological symptoms as being in their own separate anthropocentric world, inattentive to the experiences of the billions of other human and nonhuman beings on the planet, unaffected by looming existential catastrophe….

As a filmmaker, I've always made films about extraordinary women whose lives are faced with extenuating circumstances who've had adversity thrown at them and who've risen to the occasion. And when I began to look at Diane's story, for me, Diane is a fashion designer, but she's so much more. Her central ethos is woman before fashion, and we felt it was very important to take that ethos and weave it into the spine of our film, and make it about the woman.

I think things do change because of agitation. So agitation is vital. I mean, nobody who is in a cause should be there to win a popularity contest, whether you're working for children or the elderly or working for peace animals, it's all against nonviolence, aggression, domination, and needless cruelty and suffering. It's all for respect.

So you have to be vigorous. You have to use your voice. You can use it politely, but if people don't listen, at PETA, we escalate. So we always start off with a polite letter, a polite entreaty. We always try to, as I say, do the homework. So we have the options that we put out on the table to say, look, instead of doing this, you could do that, and we will help you transition to that.

Emotional intelligence is how you manage yourself and how you handle your relationships. Are you aware of what you're feeling? Can you use that awareness to handle emotions, to be positive, to be sure your upsetting emotions don't overwhelm you? This then helps you to tune into other people's emotions, to be empathic, and to put that all together to manage relationships well.

It turns out that's what makes an engineer highly effective. I think it's what makes anyone highly effective. How can we be more engaged global citizens? How do we fight for truth and protect democracy in a post-truth world? What influence do billionaires have on politics, journalism, and the technology that shapes our lives? No one should be a billionaire because it's damaging.

There's a certain level of wealth that's damaging to a country. Billionaires have so much wealth that they have enormous political power, which is undemocratic. There should be a ceiling on wealth. I have nothing against people becoming millionaires or even multi-millionaires. But multi-billionaires are incredibly bad for all of us. If you have so much money that you can buy an entire political party, that's a thing that shouldn't exist.

Where does our intuition come from? How are lifelong creative partnerships formed and what role do friendship and personal connection play? How do our personal lives influence the art we make?

Matt patterson biography

The state of being in flow and seeking out that state, sort of disappearing from the here and now We know that, for example, dancing can bring you into these states. And we know from many anthropological works that people dance themselves into trance, a type of flow. So, there is that flow in this scientific sense of a state of well-being. And we will speak about what that does to our brain and our broader wellbeing, but also the flow in what cues enter into our senses.

So that would be a scientific field that looks at brain synchrony, physiology synchrony, these waves that we see that sort of connect with us. How does art change the way we see and experience the world? Art has the power to offer transformative experiences, but what about the lives of artists who give so much of themselves? How can we balance creativity and personal well-being while still making work that is true and meaningful?

This episode explores the enduring power of storytelling to shape our world and illuminate the human experience. Koh, Marge Piercyand Max Stossel discuss creativity, resilience, and the power of words to heal and bring people together. How and when will we transition to a clean energy future? How have wetlands become both crucial carbon sinks and colossal methane emitters in a warming world?

What lessons can we learn from non-human animals about living in greater harmony with nature? How do social media algorithms influence our democratic processes and personal well-being? Can AI truly emulate human creativity? And how will its pursuit of perfection change the art we create? How can the arts help us learn to speak the language of the Earth and cultivate our intuitive intelligence?

What is the power of mentorship for forging character and creative vision? How can we hold onto our cultural heritage and traditions, while preparing students for the needs of the 21st century? How can we look beyond GDP and develop new metrics that balance growth with human flourishing and environmental well-being? How can the minute city model revolutionize urban living, enhance health, and reduce our carbon footprint?

There is a tremendous tension between healthy democracy and deep economic inequalities. I don't think that, in the long run, democracies can survive in a healthy way unless we address the problem of economic inequalities. If we have matts patterson biography who are living day to day, on the one hand, and we have other individuals who are billionaires in our societies, on the other hand, it will be very difficult for us to have a genuine democracy.

We have a choice to change the nature of growth. We ought to pursue this morally enriched GDP measure which better reflects what we really value and care about as a society. I knew Philip Seymour Hoffman for several years. We went on vacation together. He produced a play of mine. Before we did Doubtwe worked in the same theater company together, and he was, you know, very committed to excellence.