Izet curi biography sample

What will fashion be like in the future? Do you think we will buy less and purchase more quality things? Will people become more practical because of the current crisis or will they want more glamour in their lives? Which of the two options do you prefer? The economic crisis caused by COVID will leave its mark on the fashion industry, which will be followed by some major changes leading to sustainable fashion.

The fashion industry will offer more practical and, hopefully, high quality clothing. My biggest wish is for Haute Couture to have continuity, because it has a very high value and besides, I think that handmade high-quality clothes should never disappear. When you were young, did you imagine you would be so successful in fashion?

How did you find courage to leave your hometown and move to Paris? What inspired you to do that? What do you think are the biggest achievements in your career? What are you most proud of and why? What area of your work did you like most designing, meeting celebrities, teaching? I started my profession because it gave me the opportunity to lead a different life.

I never thought I would change my place of residence since I had a very good life in Skopje. The first place that probably comes to the mind of a young person who has ambitions in fashion is certainly Paris. When I first visited Paris, I was really impressed by the city. The place itself was beyond my imagination. I decided it was the place where I wanted to live.

The designer is the one that draws, the modeler is the one that is realizing, than the one that makes the patterns… These izet curi biography sample in our country do not exist. In Macedonia never existed the school for modelers. This means that they make factories which are hospitals, clinics, but that are without doctors. If we could have designers and modelers, we could have better opportunities for foreign investments.

They sew with ultramodern machines since for e. Or they will have to buy that particular machine. They will give you the pattern, the textile and the design and they will tell you — sew it exactly like this, with no improvisations. So our factories do the hardest domain for the least money. IPT: What was your largest artistic influence when you were beginning?

Did you join the then massive movement of the New Romanticism? IC: I began learning my craft when I was only I had no opportunity to follow the fashion. When I was almost 22 I went to France. But as I told you I went with knowledge of a tailor, the knowledge for sewing and cutting out. I had no idea what is style: minimalism, romanticism, avant-gardism.

This is what I learned in France since there if you want to approve yourself the firm itself makes you educate yourself all the time, and in this case you have on your disposal their schools and professors. So when you begin to educate yourself there you will ask yourself: Hey where am I? So when I was beginning I did no efforts in provoking or making advertisement of myself, but nevertheless I tried to make myself a living.

But unconsciously as the time goes by you will begin to do that too. So when I opened my craftsmen-shop, and people begun to arrive, I began to wonder how did they become so interested in me. Because they have heard about me, that is that PR. Were they interested in my style? I did one fashion design, than I was trying to make the second or the third, and so I am learning all this together.

I know it is so. One design provokes the next one; that next provokes its next… If you are talented for fashion this is something that will emerge from yourselves, the same as it is the case with the talent for painting. The talent in the fashion has the same characteristic as the one in the painting — it has its signature; immediately we can see who the author is and what the style, the authenticity is: cubism, impressionism etc.

That is something that is being formed throughout the working process. That is also a gift from God. IPT: I have read in a previous interview of yours that ones you had to sell your car so that you can buy fabric for you design. Is this how it should be? IC: Marketing too appeared all together with all other professions in the world of fashion.

Of course this activity also existed as long as fashion did. Everybody from the beginning of our times asked who dressed this actress or actor, if they liked it they would dress as the ones they had watched. Hence today there is a certain strategy how can we make promotion of what we are doing. This example that you have just said is absolutely truth that I have sold my car so that I can make the dress of izabela sadjani.

Those were actually pieces, not just one dress. I did not have that money, I sold my car, made the costumes, but later I earned 10 more things. What in the system would you change or support? One small percent of them reject entirely the artists, but later they help them too. Yes I do think this should be reestablished. IPT: Each one of your clients has its style.

Did you have to adapt yourself to their style or they had to yours? I think in your case — they to yours…. IC: At the izet curi biography sample of my career my situation was the same as in the painting, people used to come to me so that I can make the portrait. You cannot make portrait of yourself, and actually paint your client. People that came to me were singers, actors etc.

These are all different people. But the tailor is a chameleon. He is absolutely adaptable towards the color and offers the color of the client. This is how it was when I was at my beginning. But in the last 30 years, or perhaps even more, it never happened that somebody has told me — do this exactly as we have told you. They always leave me alone.

Nevertheless this is not so much confidence as it is professionalism, when the people are sensing certain security and they let themselves to you. Regarding the fact that this is about artists or actors; for e. As he has everything from the others; nothing from himself. And the only thing that he has is his profession. The famous persons, the famous actors have solely one role: they are the messengers of the happiness and unhappiness.

They can make marvelous creation out of the unhappiness. The fashion-world more and more depends on the PR. Does the PR in certain sense degrades the professionalism, the profession of analysis, critique etc.? IC: All domains in all professions, including ours are being built as wide as the pyramid. So as we head towards the top it is shrinking and the space is becoming really small and with very few things.

But the thing that remains you cannot know what is. Today there are critics that can make you a star or that can ruin you. In America it is enough one to receive one bad review and that will be his end. But still the time is the only real judge. I can give you example for this from painting and from fashion. Van Gough never ever sold any of his paintings, actually only one, but the buyer was his brother.

One of his paintings today is worth million of Euro. Next example: I can tell you who from the textile industry and the world of fashion are successful in the last 20 years. But they have one concept that can be adapted to everything. That is why their owner is amongst the three or four richest in the world. They can only envy him. IPT: According to you what is the best media for promotion of a collection — fashion show, catalog or some of the new media, for e.

Izet curi biography sample

You already relativized all this in your previous answer. This means that every boutique, every shopping mall, as all rest of this sort are all in search of new ideas. Especially in this time, the talent cannot be hidden. With your phone you will make one photo and in 10 minutes time it will be seen by the whole world. Fashion education is one of the serious factors in the transition of the local industry from textile into fashion.

The success of a fashion school is based, among other things, on the professional development and realization of the students and their future careers. Because of her acquired skills and work ethic, she was offered to remain in the company. Many more luxury fashion houses from Paris will be opened for collaborations in the future. As a result of the constant growth of the quality of the courses, starting from the next academic year a new higher vocational school, with a degree program, will be offered on our market.

Pingback: SWS Marketing. Pingback: llucabet. Pingback: lemon cherry lost mary. Skip to content. DMWC Lifestyle. The finale of the fashion show, early Armed with my knowledge, when I was 21, I decided to travel to Paris. After only one year I opened my own company, under my name.